SKU: HL.49008542
ISBN 9790001087056. UPC: 073999234664. 9.0x12.0x0.014 inches. German.
For high voice and piano. Text by Johann Wolfgang von Goethe.
SKU: BR.BV-19
ISBN 9783765100192. 7.5 x 10.5 inches.
SKU: BA.BA04605-01
ISBN 9790006451838. 33 x 26 cm inches.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA04518-01
ISBN 9790006449583. 33 x 26 cm inches.
Urtext der Neuen Mozart-Ausgabe.
SKU: BA.BA04604-01
ISBN 9790006451807. 33 x 26 cm inches.
SKU: CA.4003809
ISBN 9790007217044. Key: B flat major. Language: Latin.
In 1965 Robert Munster, the Mozart scholar, determined that in a manuscript copy containing 13 settings of the Tantum ergo by Johann Zach (1669-1773), the Director of Music at the Mainz Cathedral, the final Tantum ergo in B flat major was for the most part identical to KV 142. Zach's work is 43 measures long instead of the 63 measures of KV 142, although the Amen coda is missing. For some unknown reason, Mozart made a few changes to Zach's composition and through the addition of the coda extended the work by twenty measures. Score and part available separately - see item CA.4003800.
SKU: BA.BA04518-40
ISBN 9790006449613. 23.9 x 17 cm inches. Language: German.
This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume.
SKU: HL.49037958
SKU: HL.49031829
SKU: BA.BA04745-75
ISBN 9790006455188. 32.5 x 25.5 cm inches. Key: G major.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BT.ALHE31518
French.
For piano and orchestra.
SKU: HL.48187721
UPC: 888680864057. 5.5x7.5x0.432 inches.
SKU: CA.5180103
ISBN 9790007186180. Language: Latin.
When Wolfgang Amadeus Mozart returned to Salzburg in January 1779 from his journey to Paris, his luggage contained a single church music work - an unfinished Kyrie in E flat major (KV 296a) together with sketches for the Sanctus and Benedictus (KV 296c). In 2015, at the suggestion of the late Armin Kircher, Johann Simon Kreuzpointner set about compiling a five-movement setting of the mass from this material, also drawing on an unfinished cantata in E flat major (KV 429). For the orchestration and text underlay, Kreuzpointner took his cue from Mozart's church music works. With this edition Kreuzpointner, an experienced church musician and composer, created a convincing and stylistically assured work, which he tried out in several performances. The result is a concise setting of the mass, good to sing, which does not present any great difficulties for soloists, chorus, or orchestra. The title Missa brevissima does not come from Mozart, but was chosen because of the brevity of the mass setting with its missing Credo. It also underlines the special status of this setting of the mass. Score available separately - see item CA.5180100.
SKU: CA.5180113
ISBN 9790007225360. Language: Latin.
When Wolfgang Amadeus Mozart returned to Salzburg in January 1779 from his journey to Paris, his luggage contained a single church music work - an unfinished Kyrie in E flat major (KV 296a) together with sketches for the Sanctus and Benedictus (KV 296c). In 2015, at the suggestion of the late Armin Kircher, Johann Simon Kreuzpointner set about compiling a five-movement setting of the mass from this material, also drawing on an unfinished cantata in E flat major (KV 429). For the orchestration and text underlay, Kreuzpointner took his cue from Mozart's church music works. With this edition Kreuzpointner, an experienced church musician and composer, created a convincing and stylistically assured work, which he tried out in several performances. The result is a concise setting of the mass, good to sing, which does not present any great difficulties for soloists, chorus, or orchestra. The title Missa brevissima does not come from Mozart, but was chosen because of the brevity of the mass setting with its missing Credo. It also underlines the special status of this setting of the mass. Score and part available separately - see item CA.5180100.
SKU: CA.5180112
ISBN 9790007225353. Language: Latin.
SKU: CA.5180149
ISBN 9790007225384. Language: Latin.
SKU: CA.5180111
ISBN 9790007225346. Language: Latin.
SKU: CA.5180109
ISBN 9790007225339. Language: Latin.
When Wolfgang Amadeus Mozart returned to Salzburg in January 1779 from his journey to Paris, his luggage contained a single church music work - an unfinished Kyrie in E flat major (KV 296a) together with sketches for the Sanctus and Benedictus (KV 296c). In 2015, at the suggestion of the late Armin Kircher, Johann Simon Kreuzpointner set about compiling a five-movement setting of the mass from this material, also drawing on an unfinished cantata in E flat major (KV 429). For the orchestration and text underlay, Kreuzpointner took his cue from Mozart's church music works. With this edition Kreuzpointner, an experienced church musician and composer, created a convincing and stylistically assured work, which he tried out in several performances. The result is a concise setting of the mass, good to sing, which does not present any great difficulties for soloists, chorus, or orchestra. The title Missa brevissima does not come from Mozart, but was chosen because of the brevity of the mass setting with its missing Credo. It also underlines the special status of this setting of the mass. Score and parts available separately - see item CA.5180100.
SKU: CA.5180119
ISBN 9790007225377. Language: Latin.
